BY MAUI CABRAL Every once in a while, you walk into a show not really knowing what to expect and walk out realizing you just experience...
BY MAUI CABRAL
Every once in a while, you walk into a show not really knowing what to expect and walk out realizing you just experienced something completely fascinating. That was this night. First time at Chapel of Bones. First time seeing Little Miss Nasty. First time shooting them. And honestly? From the moment I walked in, you could feel this wasn’t going to be your typical show.
Opening the night was Mimi Barks, and she set the tone immediately. Coming out of the underground trap-metal scene, Mimi blends heavy bass, dark aesthetics, and aggressive delivery into something that feels raw and unfiltered. There’s a confidence in her presence that doesn’t ask for attention, it demands it. Her set felt intense, yet comforting. The way she invited the crowd to gather, influenced and joined the crowd for mosh pits, her interactions with people were so pure. I became an instant fan. It wasn’t about overproduction, it was about energy and attitude. The crowd locked in quick. From behind the lens, it felt gritty. Real. The kind of performance where every movement matters.
Then came the wonderful ladies in Little Miss Nasty. Trying to box them into just a “band” doesn’t really do it justice. This is a full performance collective. Music, dance, choreography, attitude... all blended into one. I for one , was blown away. Not only is it all undeniably mesmerizing... But these women literally put on a SHOW. The Choreography alone is mind blowing. Founded with roots in rock, metal, and burlesque-style performance, Little Miss Nasty has built a name around pushing boundaries and owning identity especially when it comes to feminine power and expression. And live? It hits.
The second they hit the stage, the room changed. Lights, movement, energy--everything dialed up instantly. This wasn’t just music you listen to. It’s something you watch, feel, and react to. What stood out most wasn’t just the performance, it was the message behind it. Confidence. Control. Owning who you are without hesitation. Every movement, every transition, every moment on stage felt intentional. Not just for shock value but for expression. There’s strength in that kind of performance, and you could see how much the crowd fed into it. It wasn’t passive. It was interactive. It was alive.
There was no pit. This allowed a more personal interaction with these ladies, to bring the show straight into the crowd. This wasn’t about catching breakdowns or stage dives. It was about timing. Motion. Expression. Every second something was happening--choreography, lighting changes, crowd reactions. You had to stay locked in or miss it. And honestly, that made it even more fun to shoot. Shortly after the show ended , I was able to grab a few portraits of the ladies of Little Miss Nasty & Also of Mimi Barks.
First time at Chapel of Bones. First time seeing Little Miss Nasty. First time shooting them. And it didn’t feel like just another show. Mimi Barks brought the raw, dark energy to start the night. Little Miss Nasty took it somewhere completely different and showed us the absolute power of Female divinity. This wasn’t about fitting into a scene. It was about showing how difference can also be magnificent. And nights like this? They stick with you .They don’t feel like anything else. They truly are unique.
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- JOSH "MAUI" CABRAL
Hey! I'm Maui. Originally from Queens, New York, now making Raleigh, NC my new home. I'm a touring photographer and Nomadic Motorcycle Rider, obsessed with seeing the world through different lenses!
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